Friday, September 21, 2007

Rock to great ’50s and ’60s sounds

(The following article originally appeared in The Huntsville Forester on Sept. 19, 2007.)

Join Freddy Vette and the Flames for a rock 'n' roll revival on Sept. 28 in Huntsville

By Gillian Brunette

Back by popular demand next week are Freddy Vette and the Flames, who appear at the Algonquin Theatre on Friday, Sept. 28 beginning at 8 p.m.

It will be almost to the day a year ago that the ghosts of Elvis Presley, Buddy Holly, Chuck Berry, Carl Perkins, Bill Haley and others came alive in Huntsville as Vette and his musical entourage kicked back to the 1950s.

The dynamic costumes and creative choreography allows the audience to relive this classic era with their favourite juke box hits.

GREAT BALLS OF FIRE: Freddy Vette returns to the Algonquin Theatre on Sept. 28 with his group the Flames in what has been termed as the ultimate ’50s rock ’n' roll show. The 8 p.m. concert is a Huntsville Festival of the Arts presentation.

“After the show our audience members left still singing and asking us to bring them back,” said Huntsville Festival of the Arts general manager Rob Saunders. “Freddy is wonderful with the audience. Everyone loved the performance. It was a really great night.”

So how does a guy born in 1972 end up as the real-deal front man for a ’50s rock ’n' roll show? That seems to be the most asked question when it comes to Vette.

“Good music is good music no matter what kind it is or when it was made. You don’t have to be from the 1700s to play Mozart, you don’t have to be from the ’30s or ’40s to play jazz, and you sure don’t have to be from the ’50s to play rock ’n' roll,” Vette said in reply.

It also didn’t hurt that Vette came from a musical family. His mother and father had a country music band, so there were instruments around the house. The first thing Vette tackled was the drums, then guitar, and piano along the way.

At 14, Vette played with his parents on the road and that was the beginning of his performing career. He appeared in various bands playing various kinds of music, until the music of his childhood – rock ’n' roll – came back to him.

Over the next few years, Vette joined several rock ’n' roll bands and during that time he re-acquainted himself with the piano, an instrument he had played as a child but gave up for guitar.

“Piano rock ’n' roll is such a big part of this music and I knew I had to learn that style of playing. As I started learning from those old recordings, it gave me a new love for the piano. Now, it’s my favourite instrument to play.”

In 2002 Vette formed his own band featuring drums, upright bass, sax, guitar, three female singers and himself on guitar and piano.

The show is a musical journey through the beginnings of rock ’n' roll, not only featuring the biggest hits from the biggest artists but telling the story of the music along the way.

The three ladies who share the stage with Vette perform all the great ‘girl’ hits from the rock ’n' roll era including songs from Leslie Gore, the Shirelles, the Shangri-Las and Patsy Cline. Four outstanding musicians round out this high-energy, exciting eight-piece act.

“The audience has been the lifeblood of Freddy Vette and the Flames. There’s such a huge audience out there who are hungry for this music and aren’t able to see it performed live. We continue to discover them, and they continue to discover us. It’s a great relationship that keeps rock ’n roll alive,” said Vette.

Tickets for Freddy Vette and the Flames are $25 for adults and $15 for youth under 18, plus GST. They are available at the Algonquin Theatre box office on Main Street, by dialling 789-4975, or online at www.algonquintheatre.ca.

'Subplot' outdoor arts presentation had to be cancelled, after brochure was printed

(The following article originally appeared in The Huntsville Forester on Sept. 19, 2007.)

The Huntsville Festival of the Arts summer brochure indicated there was to be an event titled Subplot running from Sept. 22 to 23 at 97 Townline Road in Huntsville.

“Shortly after printing the brochure the artists withdrew and indicated for various reasons they would not be presenting the show. As it was still in the brochure there have been various people asking about it and we would like to advise that this performance is not taking place,” said festival general manager Rob Saunders.

“We apologize for any inconvenience this may have caused.”

Monday, September 3, 2007

Festival’s 15th season most successful to date

(The following Trumpeter column originally appeared in The Huntsville Forester on Aug. 29, 2007.)

By Kareen Burns

Tempus fugit. Time flies.

My inaugural season as Huntsville Festival of the Arts president is winding down and I feel immensely proud.

Festival board members, theatre personnel, volunteers, sponsors, supporters and our fabulous audiences have made our 15th eclectic season wonderfully successful.

Next year we will expand on our vision, raising the bar in excellence, diversity and community partnerships. Imagine our summer season 2008!

Kareen Burns is the Huntsville Festival of the Arts board president for the 2007 and 2008 seasons.


Allow me to count the ways to say thank you. Merci, takk, arigato, spasibo, toa chie, danke, gracias, obrigado! There are never enough ways to say thanks, thank you, many thanks.

Thanks to the extra-mile people who make each concert special in so many ways. Placing a delicate vase of flowers and the beautifully arranged Mexican pottery bowl of fruit, cheese, veggies etc. in the performers’ dressing room, replacing forgotten makeup, bowls of jub jubes and liquorice sticks for the backstage team. And yes, you can find bass and conga drums in Huntsville at 7 p.m.

Then there is our very own Hawksley Workman accompanying Bruce Cockburn on stage with a magical impromptu show – all in the line of festival extra-mile people.

Thanks also to the Algonquin Theatre front-of-house team. The friendly smiles, funky festival ties, helping to direct you to your seat with a little flashlight when you are running late, the efficiency of intermission cocktails, selling performers’ CDs. They are a positive and knowledgeable band of Huntsville hospitality promoters.

Thanks to the Algonquin Theatre back-of-the-house team. A highly energetic, strong group in their black outfits directed by a stage manager. They welcome our star performers at the theatre back door, help with their equipment for set-up and rehearsal and are ready for an 8 p.m. show deadline.

Included is training of new volunteers who are full of curiosity and excitement. Huge attention is paid to detail – electrical cables taped down, no fingerprints on the beautiful piano, lighting and set to complement the mood. The stage manager, house manager, lighting and sound all wear cool headsets to communicate. “The house is yours” comes from the front-of-house manager, the pre-show screen goes up, the lights go down, the audience hushes with anticipation and the magic begins.

Thanks to our dear and loyal sponsors and supporters. You make it possible to be incredibly creative, bold and unafraid to showcase new performers and new events – our first Jazz Festival was a great success.

Thanks to a dynamic festival board of directors. You create our festival season, meeting early in October to plan for the following summer season. This includes the Algonquin Theatre main stage shows and exciting avant garde fringe happenings.

Our exciting education outreach committee is always open to new ideas and directions with public and high school students. They are our future audiences and we strongly believe in giving back to our community.

The board is a hands-on team who put up tents and banners, take tickets, serve complimentary mincemeat pies at our Christmas concert, put on kids’ tattoos, introduce shows and the list goes on. They are always passionate festival ambassadors.

And finally, without an audience, we would not exist. Thank you with all my heart. A full Algonquin Theatre festival audience is a joy indeed!

In Scottish, thenk ye.